Again at the end of the Spring Term 2013 at Concordia College the case study dealing with Anima Projection lead me to the Anima documentary, which then natural ought to lead one to the story of Orlando and the theme of bisexuality. I stopped blogging for the summer but  am now taking of the quest of individuation.

Orlando tells the story of a young man named Orlando, born in England during the reign of Elizabeth I. He is briefly a lover to the elderly queen. After her death he has a brief, intense love affair with Sasha, ostensibly a princess in the entourage of the Russian embassy. This episode, of love and excitement against the background of the Frost Fair held on the frozen Thames River during the Great Frost of 1608, is one of the best known of the novel. It is said to represent Vita Sackville-West’s affair with Violet Trefusis.

Following Sasha’s sudden departure and return to Russia, the desolate Orlando returns to writing The Oak Tree, a long poem started and abandoned in his youth. He meets with a famous poet, Nicholas Greene, whom he joyfully entertains, but who criticises Orlando’s writing. Later Orlando feels betrayed when he learns that he is the foolishly depicted subject of one of Greene’s subsequent works. A period of contemplating love and life leads Orlando to appreciate the value of his ancestral stately home, which he proceeds to furnish lavishly. There he plays host to the populace.

Ennui sets in and the harassment of a persistent suitor, the Archduchess Harriet, leads to Orlando’s fleeing the country when appointed by King Charles II as ambassador to Constantinople. Orlando performs his duties well, until a night of civil unrest and murderous riots. He falls asleep for a period of days, resistant to all efforts to rouse him. Upon awakening he finds that he has metamorphosed into a woman – the same person, with the same personality and intellect, but in a woman’s body.

The now Lady Orlando covertly escapes Constantinople in the company of a Gypsy clan. She adopts their way of life until its essential conflict with her upbringing leads her to head home. Only on the ship back to England, with her constraining female clothes and an incident in which a flash of her ankle nearly results in a sailor’s falling to his death, does she realise the magnitude of becoming a woman. She concludes it has an overall advantage, declaring “Praise God I’m a woman!” Back in England, Orlando is hounded again by the archduchess, who reveals herself to be a man, the Archduke Harry. Orlando evades his marriage proposals. She goes on to live switching between gender roles, dressing alternatively as both man and woman.

Orlando soon becomes caught up in the life of the 18th and 19th centuries, holding court with the great poets (notably Alexander Pope). Nick Greene reappears, apparently also timeless, and promotes Orlando’s writing, promising to help her publish The Oak Tree.

Orlando wins a lawsuit over her property and marries a sea captain, Marmaduke Bonthrop Shelmerdine. In 1928, she publishes The Oak Tree, centuries after starting it, and wins a prize. As her husband’s ship returns in the aftermath of her success, she rushes to greet him.